dior and i pieter mulier | Raf Simons’s Right dior and i pieter mulier Pieter Mulier met Azzedine Alaïa only once, backstage at a Christian Dior show during Raf Simons’ tenure at the house. There was no hint of kismet. Their conversation was .
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0 · Why Pieter Mulier Is Perfect for Alaïa
1 · Who Is Pieter Mulier, the New Creative Director of Alaïa?
2 · Raf Simons’s Right
3 · Pieter Mulier: Raf's Right Hand Man at Dior
4 · Pieter Mulier: Alaïa And I
5 · Pieter Mulier, Long Raf Simons’s No. 2, Is the New No. 1 at Alaïa
6 · Modern beauty: Pieter Mulier on his vision for Alaïa
7 · Dior and I (2014)
8 · At Alaïa, Pieter Mulier Puts Beauty First
9 · Alaïa’s Pieter Mulier Is Following a Legend—And Pushing
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Why Pieter Mulier Is Perfect for Alaïa
Fans of the 2014 documentary Dior and I, which chronicled the making Simons’s first Dior Haute Couture collection, will find in Mulier a similar attention to detail and care. .
Dior—like Alaïa—was a tailoring-based house, and it was where Mulier learned the power of a recognizable silhouette: the box (Chanel), the hourglass (Dior), the long . His central role as the connective tissue between Simons and the Dior atelier was demonstrated in the 2014 documentary, Dior and I. He comes across as humble and sincere . Pieter Mulier: Raf's Right Hand Man. at Dior. Dior's Studio Director Pieter Mulier on Raf Simons, the experience of filming Dior and I and seeing his life dream come true. One of .
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Who Is Pieter Mulier, the New Creative Director of Alaïa?
After launching his line in the early 1980s, the legendary Tunisian designer built a fiercely loyal following by celebrating and embellishing the female form, endowing women with an audacious sense.
Pieter Mulier met Azzedine Alaïa only once, backstage at a Christian Dior show during Raf Simons’ tenure at the house. There was no hint of kismet. Their conversation was . Alexander Fury unpacks the appointment of Pieter Mulier – who is best known for being Raf Simons’ right-hand at Jil Sander, Dior and Calvin Klein – as creative director of the .Dior and I: Directed by Frédéric Tcheng. With Christian Dior, Omar Berrada, Raf Simons, Pieter Mulier. Get inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' . Pieter Mulier is stepping out on his own, after more than 15 years with Simons at Jil Sander, Dior, and Calvin Klein.
In 2014, Frédéric Tcheng’s documentary Dior & I (see W*192) provided a glimpse into this rare and enduring creative partnership, capturing the eight-week period Simons was given to create his debut couture collection for .
Fans of the 2014 documentary Dior and I, which chronicled the making Simons’s first Dior Haute Couture collection, will find in Mulier a similar attention to detail and care. Here, a. Dior—like Alaïa—was a tailoring-based house, and it was where Mulier learned the power of a recognizable silhouette: the box (Chanel), the hourglass (Dior), the long hourglass he would one . His central role as the connective tissue between Simons and the Dior atelier was demonstrated in the 2014 documentary, Dior and I. He comes across as humble and sincere in the film, as well as.
Pieter Mulier: Raf's Right Hand Man. at Dior. Dior's Studio Director Pieter Mulier on Raf Simons, the experience of filming Dior and I and seeing his life dream come true. One of the most memorable moments in Dior and I, Frédéric Tcheng’s revelatory new documentary on the intense eight weeks leading up to the showing of Raf Simons’s first . After launching his line in the early 1980s, the legendary Tunisian designer built a fiercely loyal following by celebrating and embellishing the female form, endowing women with an audacious sense. Pieter Mulier met Azzedine Alaïa only once, backstage at a Christian Dior show during Raf Simons’ tenure at the house. There was no hint of kismet. Their conversation was purely technical because Azzedine, ever the fashion obsessive, was studying the construction of the dresses, inside and out.
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Alexander Fury unpacks the appointment of Pieter Mulier – who is best known for being Raf Simons’ right-hand at Jil Sander, Dior and Calvin Klein – as creative director of the Alaïa Maison.
Dior and I: Directed by Frédéric Tcheng. With Christian Dior, Omar Berrada, Raf Simons, Pieter Mulier. Get inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture collection as .
Pieter Mulier is stepping out on his own, after more than 15 years with Simons at Jil Sander, Dior, and Calvin Klein.
In 2014, Frédéric Tcheng’s documentary Dior & I (see W*192) provided a glimpse into this rare and enduring creative partnership, capturing the eight-week period Simons was given to create his debut couture collection for the historic French house. Fans of the 2014 documentary Dior and I, which chronicled the making Simons’s first Dior Haute Couture collection, will find in Mulier a similar attention to detail and care. Here, a. Dior—like Alaïa—was a tailoring-based house, and it was where Mulier learned the power of a recognizable silhouette: the box (Chanel), the hourglass (Dior), the long hourglass he would one . His central role as the connective tissue between Simons and the Dior atelier was demonstrated in the 2014 documentary, Dior and I. He comes across as humble and sincere in the film, as well as.
Pieter Mulier: Raf's Right Hand Man. at Dior. Dior's Studio Director Pieter Mulier on Raf Simons, the experience of filming Dior and I and seeing his life dream come true. One of the most memorable moments in Dior and I, Frédéric Tcheng’s revelatory new documentary on the intense eight weeks leading up to the showing of Raf Simons’s first . After launching his line in the early 1980s, the legendary Tunisian designer built a fiercely loyal following by celebrating and embellishing the female form, endowing women with an audacious sense.
Pieter Mulier met Azzedine Alaïa only once, backstage at a Christian Dior show during Raf Simons’ tenure at the house. There was no hint of kismet. Their conversation was purely technical because Azzedine, ever the fashion obsessive, was studying the construction of the dresses, inside and out. Alexander Fury unpacks the appointment of Pieter Mulier – who is best known for being Raf Simons’ right-hand at Jil Sander, Dior and Calvin Klein – as creative director of the Alaïa Maison.Dior and I: Directed by Frédéric Tcheng. With Christian Dior, Omar Berrada, Raf Simons, Pieter Mulier. Get inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture collection as .
Pieter Mulier is stepping out on his own, after more than 15 years with Simons at Jil Sander, Dior, and Calvin Klein.
Raf Simons’s Right
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dior and i pieter mulier|Raf Simons’s Right
